Deeper Dive: Our Top Tested Picks
EDITORS’ NOTE
November 6, 2025: With this update, we added the Canon EOS R50 V, replacing the Sony ZV-E1. We also swapped in the Nikon Z50II in place of the Canon EOS R10 and removed the older Fujifilm GFX100S in favor of the Sony a7C II. Our remaining picks have been vetted for currency and availability. Since our last update, we reviewed and evaluated two new mirrorless cameras for potential inclusion in this roundup and our other camera roundups. We currently have two mirrorless cameras in PC Labs for evaluation.
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
Stabilized full-frame sensor
Class-leading autofocus
Superb picture quality
Magnesium body with dust and splash protection
Sharp EVF and swing-out touch LCD
40fps tracking with e-shutter
Full-width 4K60 with 10-bit color
6K support over HDMI
Limited third-party lens support
Fragile micro HDMI port
Why We Picked It
The Canon EOS R6 Mark II is a strong all-around performer and one of the best full-frame models available for the price. Core to the experience is an autofocus system that outclasses what you get from similarly priced Sony and Nikon models; it supports 12fps tracking with its mechanical shutter and a staggering 40fps with its e-shutter. And for video, you get full-width 4K60 recordings with 10-bit color. Otherwise, it has a weather-protected magnesium chassis and five-axis sensor stabilization.
Who It’s For
Shutterbugs: The EOS R6 Mark II has all of the features that enthusiast and hobby photographers will want, including a stabilized full-frame sensor, reliable autofocus, and continuous autofocus for 40fps capture. A large viewfinder, weather-sealed magnesium construction, and compatibility with Canon’s large EOS R lens library solidify its position.
Professionals: If you earn a living from event, wedding, portrait, or sports photography, you’ll find the R6 Mark II to be a more than competent tool. Picture quality and autofocus are both fantastic, and the camera is built sturdily. It includes dual memory card slots for redundant capture, so you won’t have to explain to a bride that you lost her wedding day photos because a memory card failed.
Wildlife and sports photographers: The R6 Mark II’s autofocus system is top-tier, and it can rattle off photos at a blistering 40fps pace. When you match that with a long lens like the RF 70-200mm, RF 100-500mm, or RF 200-800mm, you’ve got a camera that can catch images of songbirds, animals in the wild, and keep up with fast-moving sports.
Content creators: Videographers, vloggers, and content creators should be pleased with the R6’s full-width 4K60 recording, 10-bit color, and gradable C-Log3 profile. Its image sensor is stabilized, so you can get good footage that avoids the Paul Greengrass shaky-cam look, and there are plenty of lenses available.
Specs & Configurations
Dimensions
3.9 by 5.4 by 3.5 inches
Weight
1.3 lb
Type
Mirrorless
Sensor Resolution
24 MP
Sensor Type
CMOS
Sensor Size
Full-Frame
Lens Mount
Canon RF
Memory Card Slots
2
Memory Card Format
SDXC (UHS-II)
Battery Type
Canon LP-E6NH
Minimum ISO
100
Maximum ISO
204800
Stabilization
5-Axis IBIS
Display Size
3 inches
Display Resolution
1.62 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.76x
EVF Resolution
3.7 million dots
Connectivity
Bluetooth, micro HDMI, Wi-Fi, Microphone (3.5mm), Headphone (3.5mm), USB-C, Remote (2.5mm)
Video Resolution
4K
HDMI Output
4:2:2 12-bit
Learn More
Canon EOS R6 Mark II Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
Magnesium body with swing-out LCD
Subject recognition autofocus system
Long battery life
7-stop stabilization
Built-in flash
Diverse set of film simulation looks
10-bit 4K60 and 6K30 video
Not weather-sealed
Undersized EVF
Prone to overheating
Why We Picked It
The Fujifilm X-S20 is a compelling camera for photo and video enthusiasts. Its stabilized 26MP BSI CMOS sensor supports Fuji’s X-Trans Film Simulations, along with 10-bit 4K. We appreciate the straightforward approach to controls and modes that cater to both beginners and experts alike. We lament the lack of weather sealing, but the magnesium body, all-day battery, and strong lens selection are enough to make it our favorite APS-C mirrorless for creators and enthusiasts.
Who It’s For
Shutterbugs: The X-S20 is a better-than-entry-level camera and should make photo enthusiasts and hobbyists quite happy. It includes a good set of tasteful Fuji Film Simulation looks, plus supports Raw capture for photographers who prefer to edit to taste, and features a reliable phase detection autofocus system and a stabilized 26MP image sensor. In short, it captures sharp, properly focused photos, and works with a wide range of Fujinon XF lenses.
Family photographers: The X-S20 is a good camera for family historians and parents. It features a built-in flash and supports fully automatic operation, allowing you to focus on capturing the day without worrying about adjusting settings. And if you want to get creative, manual controls are there too.
Content creators: Vloggers and videographers interested in trying out Fuji’s color profiles for movies should put the X-S20 near the top of their list. It records clear, stabilized 4K30 video with a good set of color profiles, including the cinematic Eterna look. Moreover, it features a front-facing screen, allowing it to serve as both on-screen talent and camera operator. Additionally, it is compatible with a cooling fan accessory (sold separately), enabling you to record long-form clips without worrying about overheating.
Specs & Configurations
Dimensions
3.4 by 5.0 by 2.6 inches
Weight
1.1 lbs
Type
Mirrorless
Sensor Resolution
26 MP
Sensor Type
X-Trans BSI CMOS
Sensor Size
APS-C
Lens Mount
Fujifilm X
Memory Card Slots
1
Memory Card Format
SDXC (UHS-II)
Battery Type
Fujifilm NP-W235
Minimum ISO
80
Maximum ISO
51200
Stabilization
5-Axis IBIS
Display Size
3.0 inches
Display Resolution
1.8 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.62x
EVF Resolution
2.36 million dots
Connectivity
Bluetooth, USB-C, Wi-Fi, micro HDMI, Microphone (3.5mm), Headphone (3.5mm), Remote (2.5mm)
Video Resolution
4K, 6K (3:2)
HDMI Output
4:2:2 12-bit
Learn More
Fujifilm X-S20 Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
Stabilized full-frame image sensor
Large, sharp OLED viewfinder
Up to 14fps Raw capture with 3D Tracking focus
Dust- and splash-resistant construction
Dual memory card slots for redundant recording
Records N-Raw video to SDXC cards
Middle of the road battery life
Why We Picked It
The Nikon Z5II isn’t the cheapest full-frame camera you can get, but its impressive feature set is more than enough for photographers shopping for a starter camera or SLR owners considering a move to mirrorless. It includes numerous upper-tier features, such as a stabilized sensor, weather protection, and 15fps focus with 3D tracking. Additionally, it records 4K30 video at full Raw quality, making it one of the most versatile cameras available for the price.
Who It’s For
Beginners: The Z5II is an ideal entry-level model for creators who want to get started with a full-frame sensor camera. It features excellent built-in color options, including several black-and-white looks and various filtered color options, and produces high-quality pictures when used in automatic mode. Fast autofocus with face and eye detection for people, pets, and wildlife helps you capture good images from the start, and manual controls are available when you’re ready to progress to the advanced amateur stage.
Shutterbugs: If taking photos is your favorite pastime, the Z5II is an excellent choice. It’s a versatile camera that focuses quickly for action, captures a wide dynamic range for landscapes, and is weather-resistant, allowing you to use it for nature photos and other outdoor scenes. Its 14-bit Raw images give you plenty of room to apply a creative look in the editing room, and the large OLED viewfinder is as good as it gets with professional Z-series cameras.
Wildlife and sports photographers: The Z5II shoots at a rapid 14fps and continuously checks focus for every exposure, making it an ideal camera for capturing scenes where subjects are constantly in motion and not stopping to pose for a picture. If you’re looking for a camera that can capture stunning photos of sports action or focus on birds and wildlife in nature, it’s more than capable. There are a good number of compatible telephoto lenses that allow for close-up views of distant subjects.
Content creators: The Z5II records 4K30 video using the full width of its sensor and goes to 4K60 using a Super35 (APS-C) image area. It features in-body image stabilization to eliminate jumps and jitters from handheld footage, and includes a microphone input and headphone connection, allowing for clear audio and real-time monitoring during capture. Experts can opt to use N-Raw encoding with a flat color profile to adjust color and exposure to taste, or you can choose a standard or stylized color profile if you prefer.
Professionals: The Z5II’s pricing makes it an entry-level camera, but with its dual memory card slots and robust controls, it’s a fine option for pros who want a secondary camera for weddings and other events. Autofocus and image quality are just as good as those of pricier cameras, and since it uses the same batteries, lenses, and interface as Nikon’s professional line, the Z5II is a fine backup to a Z6III or Z 8.
Specs & Configurations
Dimensions
4.0 by 5.3 by 2.8 inches
Weight
1.5 lb
Type
Mirrorless
Sensor Resolution
24.5 MP
Sensor Type
BSI CMOS
Sensor Size
Full-Frame
Lens Mount
Nikon Z
Memory Card Slots
2
Memory Card Format
SDXC (UHS-II)
Battery Type
Nikon EN-EL15c
Minimum ISO
50
Maximum ISO
204800
Stabilization
5-Axis IBIS
Display Size
3.2 inches
Display Resolution
2.1 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.8x
EVF Resolution
3.7 million dots
Connectivity
Wi-Fi, micro HDMI, USB-C, Bluetooth, Microphone (3.5mm), Headphone (3.5mm)
Video Resolution
4K
HDMI Output
4:2:2 12-bit
Learn More
Nikon Z5II Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
Stabilized full-frame sensor
3D Tracking focus at 20fps Raw
Magnesium chassis with weather protection
Large, extra bright viewfinder
Up to 6K60 Raw and ProRes video
Mediocre battery life
Less dynamic range than peers
Why We Picked It
The Nikon Z 6 III is our top-rated full-frame camera thanks to its excellent 24MP picture quality and N-Raw and ProRes video encoding. Its partially stacked CMOS sensor does an excellent job suppressing rolling shutter distortion to capture subjects in motion for both movies and stills. Smart autofocus recognizes and tracks subjects for 20fps Raw and 120fps JPG photography, and we find the Z 6 III a joy to use thanks to its strong ergonomics and large, bright electronic viewfinder. You won’t find a better camera for the price.
Who It’s For
Shutterbugs: Photography hobbyists who want to use a professional camera should set their sights on the Z6III. Its 24MP partially stacked sensor delivers exquisite images in ready-to-share JPG or editable 14-bit RAW format, plus it’s built tough with a magnesium chassis and weather protection. Its autofocus is great too. Nikon’s 3D Tracking system keeps the focus point on subjects even as they move to a different area of your frame.
Wildlife and sports photographers: The Z6III’s 3D Tracking autofocus works in tandem with subject recognition for people, pets, wildlife, and birds, allowing it to lock onto the eyes of a soccer player as they run down the pitch or onto a songbird perched on a branch. A 20fps drive speed, pre-capture mode, and a healthy set of telephoto lenses seal the deal.
Professionals: The Z6III is a versatile camera that can easily transition between studio, event spaces, and the outdoors, allowing you to meet the diverse needs of your clients. It includes dual card slots for redundant capture, allowing you to use it comfortably for wedding work without worrying about losing a client or damaging your reputation in the event of a memory card failure.
Content creators: You can go beyond 4K with the Z6III, which supports up to 6K30 recording with H.265, N-Raw, or ProRes encoding. Its stabilized image sensor helps to remove jumps and jitters from handheld footage, and its video engine supports tasteful out-of-camera color profiles, as well as flat N-Log footage for creators who prefer to apply a custom color grade.
Specs & Configurations
Dimensions
4.0 by 5.5 by 2.9 inches
Weight
1.5 lb
Type
Mirrorless
Sensor Resolution
24.5 MP
Sensor Type
Partially Stacked BSI CMOS
Sensor Size
Full-Frame
Lens Mount
Nikon Z
Memory Card Slots
2
Memory Card Format
SDXC (UHS-II), XQD/CFexpress (Type B)
Battery Type
Nikon EN-EL15c
Minimum ISO
50
Maximum ISO
204800
Stabilization
5-Axis IBIS
Display Size
3.2 inches
Display Resolution
2.1 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.8x
EVF Resolution
5.8 million dots
Connectivity
Wi-Fi, Bluetooth, Nikon DC2, HDMI, USB-C, Microphone (3.5mm), Headphone (3.5mm)
Video Resolution
6K
HDMI Output
4:2:2 10-bit
Learn More
Nikon Z6III Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Best Combination of Resolution and Speed
Nikon Z 8
Pros & Cons
Sturdy, weather-sealed build
Large, crisp EVF with interruption-free capture
Dual-axis touch LCD
20fps Raw and 120fps JPG bursts
Backlit buttons
Internal N-Raw and ProRes video capture
Up to 8K60 or 4K120 video
Heavier than competitors
Average battery life
Why We Picked It
The Nikon Z 8 is one of the rare cameras that combines fantastic resolution with lightning-quick capture speed. Its 45MP Stacked BSI CMOS sensor offers an incredible dynamic range, while its autofocus system can track moving subjects at a 20fps burst rate without interruption to the viewfinder. It’s also a top-notch video camera, thanks to 10-bit ProRes and internal 12-bit N-RAW support. The pro-grade build is something we expect at this price, though the huge, sharp EVF and dual-hinge rear display help justify the cost.
Who It’s For
Professionals: If you make your living photographing events, portraits, and weddings, the Nikon Z 8 is the camera to get. It features a 45MP Stacked CMOS sensor for silent photography with flash sync support, complemented by a 3D Tracking autofocus system that locks onto people, pets, wildlife, and vehicles. It’s built to stand the test of time with a magnesium chassis and weather sealing, and includes dual memory card slots so you don’t have to risk losing a day’s work to a memory card failure.
Shutterbugs: Photo hobbyists who prefer professional gear will find a lot to like about the Z 8. It’s a do-it-all that can tackle any photo discipline, and has the on-body controls you want to take command over its focus system and exposure settings without missing a shot. The Z system also offers ample options for enthusiasts, and its 45MP Raw photos provide plenty of room for creative editing.
Wildlife and sports photographers: The Z 8’s autofocus system is among the best you’ll find, reliably locating and tracking people, pets, wildlife, and birds. It captures full-quality images at up to 20fps, and 11MP JPGs at a phenomenal 120fps. It also functions as a trap camera; you can set it up in a designated spot, and it will take pictures whenever it detects an animal or bird. Additionally, it works well with a good set of telephoto lenses.
Content creators: The Z 8’s high-res sensor supports 8K60 recording in either a compressed or Raw format, and its Stacked CMOS architecture delivers a fast enough scan speed to avoid the jell-o rolling shutter effect that stymies other high-pixel cameras. Rolling at 8K is overkill for YouTube, but makes it more practical to punch in for a tighter view, crop out a vertical for social media platforms, or use the Z 8 for an indie film project.
Specs & Configurations
Dimensions
4.7 by 5.7 by 3.3 inches
Weight
2 lb
Type
Mirrorless
Sensor Resolution
45.7 MP
Sensor Type
Stacked CMOS
Sensor Size
Full-Frame
Lens Mount
Nikon Z
Memory Card Slots
2
Memory Card Format
XQD/CFexpress (Type B), SDXC (UHS-II)
Battery Type
Nikon EN-EL15c
Minimum ISO
32
Maximum ISO
102400
Stabilization
5-Axis IBIS
Display Size
3.2 inches
Display Resolution
2.1 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.8x
EVF Resolution
3.7 million dots
Connectivity
Bluetooth, Wi-Fi, USB-C, HDMI, Microphone (3.5mm), Headphone (3.5mm), Remote (Nikon 10-Pin)
Video Resolution
8K
HDMI Output
4:2:2 10-bit
Learn More
Nikon Z 8 Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
Crisp 25MP photos with 100MP multi-sampling
Fast phase detect focus system
Effective subject recognition and tracking
Large, 120fps electronic viewfinder
16-bit Raw images handle edits well
Fantastic control scheme
Stabilized 10-bit video
Works with Micro Four Thirds lens library
Oversized body for Micro Four Thirds
Omits UVC/UAC webcam support
Middling battery life
Why We Picked It
The Panasonic Lumix DC-G9 II is the best Micro Four Thirds camera available today. Its tech specs are impressive, with best-in-class 25MP resolution in single-shot mode, a 100MP handheld multi-shot option, and ProRes encoding for video. A stabilized image sensor, weather protection, and comfortable ergonomics are advantages, too. Since a few manufacturers support the Micro Four Thirds system, you can mix and match lenses from Panasonic, OM System, and other third-party manufacturers.
Who It’s For
Content creators: Panasonic cameras are popular for video and vlogging, and while the G9 II is billed as a photo-first body, it’s fully featured for movies. It supports 10-bit 5.7K60 video and can switch between a 16:9 widescreen or 4:3 open gate, the latter of which allows you to pull both tall and wide video from the same clips. Additionally, it works well with anamorphic and other cinema lenses. Vloggers who want a camera that’s also fantastic for photos will be pleased with the G9 II.
Shutterbugs: The G9 II receives a significant autofocus upgrade from the G9, thanks to the addition of phase detection, a faster method that increases its burst rate to 60fps. A multi-shot capture mode with in-camera stitching is useful for landscape scenes, as it increases the sensor resolution from the standard 25MP to 100MP. There are plenty of lenses to choose from, as the camera is compatible with Lumix G glass, OM System M.Zuiko lenses, and other third-party options that utilize the Micro Four Thirds mount.
Travelers: Although the G9 II is slightly larger than its Micro Four Thirds peers, its mid-sized body isn’t too bulky for travel, and it works with a wide range of lightweight, compact lenses. This makes it a good option for travelers who want to pack light but don’t want to miss out on features. We also like that the body is weather-sealed, so you don’t have to leave it in the hotel on a rainy day.
Specs & Configurations
Dimensions
4.0 by 5.3 by 3.5 inches
Weight
1.4 lb
Type
Mirrorless
Sensor Resolution
25 MP
Sensor Type
CMOS
Sensor Size
Micro Four Thirds
Lens Mount
Micro Four Thirds
Memory Card Slots
2
Memory Card Format
SDXC (UHS-II)
Battery Type
Panasonic DMW-BLK22
Minimum ISO
50
Maximum ISO
25600
Stabilization
5-Axis IBIS
Display Size
3.0 inches
Display Resolution
1.8 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.8x
EVF Resolution
3.7 million dots
Connectivity
Bluetooth, Wi-Fi, HDMI, USB-C, Microphone (3.5mm), Headphone (3.5mm), Remote (2.5mm)
Video Resolution
5.7K
HDMI Output
4:2:2 10-bit
Learn More
Panasonic Lumix DC-G9 II Review
Pros & Cons
Records 10-bit 4K30 with full sensor width
More than a dozen color profiles and C-Log3 support
Dual tripod mounts for widescreen and vertical recording
Clear sound from three-capsule mic system
24MP stills with mechanical shutter for flash sync
Cropped angle of view at 4K60
Image sensor isn’t stabilized
May overheat during long-form recording
Why We Picked It
The EOS R50 V is one of the best interchangeable lens cameras for vloggers and content creators. It supports full-width 4K30 and cropped 4K60, includes dual tripod mounting points for widescreen and vertical projects, and features more than a dozen cinematic color profiles. Reliable autofocus, a front-facing screen, and a 3-capsule stereo microphone are all positives, too. It doesn’t hurt that the R50 V is one of the most affordable mirrorless cameras for video; it’s a good one to get if you’re starting a vlog and don’t have a huge budget.
Who It’s For
Content creators: The R50 V is more of a video camera than the similar EOS R50, which is a stills camera. The V omits an optical viewfinder to make room for its three-capsule microphone, and its control scheme makes it easy to access its wide array of color profiles. Additionally, it supports streaming over USB-C or Wi-Fi, allowing you to use it for live streams and video podcasts.
Specs & Configurations
Dimensions
3.4 by 4.6 by 2.7 inches
Weight
13.1 oz
Type
Mirrorless
Sensor Resolution
24 MP
Sensor Type
CMOS
Sensor Size
APS-C
Lens Mount
Canon RF
Memory Card Slots
1
Memory Card Format
SDXC (UHS-II)
Battery Type
Canon LP-E17
Minimum ISO
100
Maximum ISO
51200
Stabilization
Digital
Display Size
3 inches
Display Resolution
1.04 million dots
Viewfinder Type
None
Connectivity
Wi-Fi, micro HDMI, Microphone (3.5mm), Headphone (3.5mm), Bluetooth, Remote (2.5mm)
Video Resolution
4K
HDMI Output
4:2:2 10-bit
Learn More
Canon EOS R50 V Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
3D Tracking supports up to 30fps focus drive
Sizable buffer for burst photography
Full-width 4K30 and cropped 4K60 with 10-bit color
Easily accessible color profiles and filters
Light and compact build with weather protection
Flip-out LCD with touch support and eye-level viewfinder
Built-in flash
Mediocre battery life
Pre-capture mode restricted to JPGs
Omits focus joystick
Why We Picked It
The Z50II is the best entry-level mirrorless camera I’ve tested. It borrows its autofocus system from higher-priced Nikons and delivers excellent results for portraits, action scenes, and wildlife photos, while also capturing a wide dynamic range for landscapes and scenes with mixed lighting. The 20.9MP APS-C image sensor effectively blurs backgrounds when paired with a fast-aperture lens, and it proves to be a capable camera for video, too, thanks to its 4K60 video engine. It’s the best camera you’ll get for around $1,000.
Who It’s For
Beginners: If you want a camera to help you get started on your photography journey, the Z50II is the perfect choice. You can start out using fully automatic exposure to concentrate on composition and technique, and later switch to manual controls once you’re comfortable. Autofocus is reliable, too, and with the appropriate lens, you can use it to hone your skills as a portrait, landscape, wildlife, macro, or any type of photographer you want to be.
Family photographers: If you’re the type of person who is always behind the lens at family events and never actually in a picture, the Z50II will make you happy. Its APS-C sensor gets good photos in typical home interiors, and a built-in flash can light up a scene. And yes, there’s a self-timer and app-controlled remote feature if you want to be a part of a family portrait.
Shutterbugs: Enthusiasts who prefer not to deal with larger, more expensive full-frame gear will appreciate the Z50II. Its picture quality and autofocus are excellent, and it works with a good set of Z-series lenses, allowing you to switch between ultra-wide views, background-blurring primes, and macro lenses for nature photography. And for photographers who want to fine-tune exposure, the Z50II includes manual controls and captures Raw format images that stand up to edits.
Specs & Configurations
Dimensions
3.8 by 5.0 by 2.6 inches
Weight
17.5 oz
Type
Mirrorless
Sensor Resolution
20.9 MP
Sensor Type
CMOS
Sensor Size
APS-C
Lens Mount
Nikon Z
Memory Card Slots
1
Memory Card Format
SDXC (UHS-II)
Battery Type
Nikon EN-EL25a
Minimum ISO
100
Maximum ISO
204800
Stabilization
None
Display Size
3.2 inches
Display Resolution
1.04 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.68x
EVF Resolution
2.4 million dots
Connectivity
Wi-Fi, micro HDMI, Microphone (3.5mm), Headphone (3.5mm), Bluetooth, USB-C
Video Resolution
4K
HDMI Output
4:2:2 10-bit
Learn More
Nikon Z50II Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
Stunning black-and-white image sensor
In-body stabilization
Fast focus system with wide spread
Large, clear optical viewfinder
Weather-sealed, magnesium body
Long battery life with USB-C charging
Fixed rear LCD makes tripod work tricky
Only one card slot supports UHS-II
Video features are behind the times
Why We Picked It
The Pentax K-3 Mark III Monochrome isn’t like the other cameras on this list. For one, it’s an SLR and uses an optical pentaprism viewfinder, not an EVF. More significantly, the K-3 Monochrome features an image sensor that captures the world in shades of gray, rather than color. The distinction is important because pictures from the K-3 III show more detail and richer tonality compared with black-and-white edits from color originals you get with other cameras.
Who It’s For
Artsy photographers: The K-3 Mark III’s monochrome-only sensor certainly limits its audience, but it offers an uncommon experience for creators who strictly prefer black-and-white photography. Its photos show more detail, richer tonality, and a more gradual fall-off from dark to light parts of a scene when compared with color sensors. It can’t capture color images, but its black-and-white photos are more filmic and natural than those from cameras that do.
Professionals: The K-3 III Monochrome is a breath of fresh air for professional photographers seeking a creative outlet outside of work. Its optical viewfinder sets it apart from mirrorless cameras with electronic displays, and because its sensor only sees the world in shades of gray, you may find yourself taking different types of images than you would with a color camera.
Specs & Configurations
Dimensions
4.1 by 5.3 by 2.9 inches
Weight
1.8 lb
Type
D-SLR
Sensor Resolution
25.6 MP
Sensor Type
BSI CMOS
Sensor Size
APS-C
Lens Mount
Pentax K
Memory Card Slots
2
Memory Card Format
SDXC (UHS-I), SDXC (UHS-II)
Battery Type
Pentax D-LI90
Minimum ISO
200
Maximum ISO
16000000
Stabilization
5-Axis IBIS
Display Size
3.2 inches
Display Resolution
1.6 million dots
Viewfinder Type
Optical
Viewfinder Magnification
0.7x
Connectivity
Bluetooth, Wi-Fi, micro HDMI, USB-C, Microphone (3.5mm), Headphone (3.5mm), Remote (2.5mm), PC Sync
Video Resolution
4K
HDMI Output
Yes
Learn More
Pentax K-3 Mark III Monochrome Review
(Credit: Jim Fisher)
(Credit: Jim Fisher)
Pros & Cons
Stabilized full-frame sensor
Impressively small body style
Magnesium build with dust and splash protection
Best-in-class autofocus system
Long battery life
Just a single card slot
Mechanical shutter has some limitations
Undersized viewfinder
Why We Picked It
The Sony a7C II is the best small mirrorless camera with a full-frame sensor. Its body is no bigger than most APS-C cameras, but the engineers have managed to squeeze in a 5-axis stabilization system and corner-position electronic viewfinder. Picture quality is excellent, as the BSI CMOS sensor supports 33MP stills and full-width 4K30 video, all powered by the class-leading Real-Time Tracking focus system.
Who It’s For
Travelers: At just over a pound without a lens, the a7C II is perfect for travel and lightweight carry, and Sony’s line of compact prime and zoom FE lenses makes it an even more attractive proposition. It includes weather sealing, a stabilized image sensor, and a long-lasting battery, all uncommon features in a full-frame camera that’s this small and light.
Shutterbugs: Photo enthusiasts and pros seeking a compact camera for personal photos will appreciate the a7C II. Its picture quality is just as good as the larger, pricier a7 IV, and its autofocus system actually beats its larger sibling as it recognizes more types of subjects.
Content creators: Vloggers and YouTubers can capture full-width 4K30 and Super35 format 4K60 footage with 10-bit color. Sony includes a comprehensive set of color profiles, including the cinematic S-Cinetone look, which is ready to share out of the camera, and the flat S-Log3 profile for editors who prefer to apply color correction in the editing room.
Specs & Configurations
Dimensions
2.8 by 4.9 by 2.5 inches
Weight
18.1 oz
Type
Mirrorless
Sensor Resolution
33 MP
Sensor Type
BSI CMOS
Sensor Size
Full-Frame
Lens Mount
Sony E
Memory Card Slots
1
Memory Card Format
SDXC (UHS-II)
Battery Type
Sony NP-FZ100
Minimum ISO
50
Maximum ISO
204800
Stabilization
5-Axis IBIS
Display Size
3 inches
Display Resolution
1.04 million dots
Viewfinder Type
EVF
Viewfinder Magnification
0.7x
EVF Resolution
2.4 million dots
Connectivity
Bluetooth, Wi-Fi, micro HDMI, Microphone (3.5mm), Headphone (3.5mm), USB-C
Video Resolution
4K
HDMI Output
4:2:2 10-bit
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The Best DSLR and Mirrorless Cameras for 2025
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Buying Guide: The Best DSLR and Mirrorless Cameras for 2025
Is Mirrorless Better Than DSLR?
The Nikon Z50II is our top-rated entry-level APS-C camera (Credit: Jim Fisher)
A decade ago, if you wanted a camera with interchangeable lenses, an SLR was the obvious choice. But times have changed. Today’s mirrorless cameras, including entry-level models, are generally more capable than their SLR counterparts. You don’t have to live without a viewfinder, either—aside from vlogging cameras, most mirrorless bodies include eye-level EVFs.
Even entry-level mirrorless cameras, such as the Canon EOS R50, offer autofocus systems that surpass those of SLRs, with features like face and eye detection for people, pets, and wildlife. Stepping up to a midrange model like the Canon EOS R10, Nikon Z50II, or Fujifilm X-S20 nets better handling and build quality, and, in the case of the latter, a stabilized sensor.
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However, if your eyes are sensitive to electronic displays or you prefer an optical viewfinder, SLRs remain a viable option. There are fewer made today than in years past, but many late entries are still available new in stores; you can still easily obtain the entry-level Canon EOS Rebel SL3 or the enthusiast-oriented Nikon D780.
What Is a Good Camera Sensor Size?
The Fujifilm X-S20, and other Fujifilm X cameras, use the APS-C sensor size (Credit: Jim Fisher)
Most consumer ILCs use image sensors that are smaller than a 35mm film frame (though they are still much larger than those of pocket cameras and phones). It can be confusing to discuss a camera’s field of view because the industry expresses focal lengths for compact cameras in terms of 35mm equivalence. The standard APS-C sensor, for instance, features a “crop factor” of between 1.5x and 1.6x. This means that a starter lens, such as the 16-50mm Sony bundles with many of its crop-sensor cameras, covers the same angle of view as a 24-75mm lens for a full-frame model.
Micro Four Thirds, which has a 2x crop factor, is another popular mirrorless format. These are available from OM System (formerly Olympus) and Panasonic. Kit lenses for these systems typically cover a 14-42mm (28-84mm equivalent) range. Micro Four Thirds is the oldest mirrorless system, offering a wide range of lenses to choose from. Although the format is smaller than APS-C, it is significantly larger than those found in sensors used in smartphone or point-and-shoot cameras.
The Panasonic G9 II uses a Micro Four Thirds sensor and lenses (Credit: Jim Fisher)
Larger sensors have inherent advantages. They allow you to better control the depth of field in images, which makes it possible to isolate your subject and create a blurred background, a Japanese term known as bokeh. A wealth of information exists about the bokeh quality of different lenses, but, in general, lenses that capture more light (measured numerically as their aperture, or f-number) tend to create blurrier backgrounds. For example, a lens with a maximum aperture of f/1.4 lets in eight times as much light as an f/4 lens and can create a shallower depth of field at an equivalent focal length and distance.
Another reason to opt for a large sensor is to minimize image noise. A 24MP APS-C sensor has much larger pixels than a point-and-shoot of comparable resolution. These larger pixels allow you to set the sensor at a higher sensitivity, measured numerically as ISO, without creating as much image noise. An advantage of the larger surface area is that changes in color or brightness are more gradual than those of a point-and-shoot. This allows for more natural images with a greater sense of depth, as well as a wider dynamic range for capturing details in shadows and highlights that other cameras often miss.
The Nikon Z5II is the best value going in full-frame, it mixes midrange pricing with professional features (Credit: Jim Fisher)
Some cameras feature sensors that are equal in size to 35mm film. These full-frame cameras are generally more expensive than their APS-C counterparts, but you can get started with an entry-level kit for around $1,500. If you envision yourself transitioning to full-frame in the future, be cautious when purchasing lenses. Some are designed for APS-C sensors and either won’t work at all with a full-frame body or only at a lower resolution.
Which Camera Feels the Best?
It’s important to choose a camera that feels comfortable in your hands. Although most DSLRs are similar in size and construction, mirrorless cameras exhibit greater design variation. Some resemble SLRs, featuring an electronic viewfinder positioned in the center of the body, behind the lens mount. Others put the EVF in the corner (similar to the position of an optical finder in a rangefinder camera) and typically offer a smaller handgrip. You can even get one with an optical viewfinder if you don’t mind spending a significant amount on a Fuji X-Pro or Leica M rangefinder.
The Canon EOS R10’s focus joystick and grip are ergonomic advantages over the cheaper EOS R50 and R100 (Credit: Jim Fisher)
Generally, an SLR-style mirrorless camera is a better fit for larger lenses. The central viewfinder and sizable handgrip make balancing a big lens a bit more pleasant. Rangefinder-style cameras are a better option if you expect to use smaller zooms or prime lenses.
Think about controls, too. If you are interested in capturing fast action and working with big lenses, look for a camera that has a joystick control on the rear panel—it comes in handy for interfacing with the autofocus system. Other models, including many from Fujifilm and Nikon’s retro Z fc, include discrete dials to set shutter speed, a plus for photographers who want to try their hand at manual exposure.
The camera you choose should be the one that you are most comfortable using. If a DSLR is too big or small for you to hold comfortably, or if the controls are not laid out in a way that makes sense to you, chances are you won’t enjoy using it as much as you should.
How to Get the Best Viewfinder
SLRs use optical viewfinders, whereas mirrorless cameras sport EVFs. The difference isn’t as huge as you might expect. With an optical finder, you see through the lens because of a series of mirrors and optics that direct light to your eye. With an EVF, an electronic feed from the image sensor displays on a small screen, typically an OLED.
The two technologies offer distinct perspectives on the world. The brightness of the optical finder varies based on the f-stop of your lens; if you attach an f/1.4 prime, the view appears brighter than with an f/4 zoom. You get an uncluttered view of the world—typically, you see the active focus point light up when you make an image, and you might be able to add framing guidelines, but that’s it.
The Pentax K-3 III Monochrome is an SLR with an optical pentaprism viewfinder and a specialized image sensor that’s made just for black-and-white photography (Credit: Jim Fisher)
An EVF typically shows you exactly what image you will get when you fire the shutter. You see a real-time preview of the depth of field, any color filters you’ve applied, a live histogram, and any other information your camera can display. You can also turn off information overlays if you prefer a clearer view. If you’re getting started with photography, this preview can help you create in-camera images that are truer to the real world.
Not all viewfinders are of the same quality, regardless of the tech that drives them. Entry-level SLRs typically feature pentamirror optical designs, which utilize a series of mirrors to display the view through the lens. They are smaller and lighter than the premium, solid-glass pentaprism viewfinders found in pricier SLRs. However, there are downsides to a pentamirror: images appear smaller, you don’t get truly accurate image framing, and the viewfinder appears dim when paired with an entry-level F3.5-5.6 kit lens.
Many of the same principles apply to EVFs. You should pay attention to the magnification rating, in particular—a larger number denotes a bigger EVF—as well as the resolution. Today’s entry-level mirrorless cameras have slightly larger viewfinders than comparable SLRs, backed with OLED panels. Today, the most basic EVFs have around 0.62x magnification and a 2.4 million-dot screen.
Spending more on a midrange or pro-level mirrorless camera often, but not always, gets you a larger viewfinder. Look for 0.78x magnification and a 3.7-million-dot resolution at the minimum if you’re shelling out for a flagship. We’re starting to see more cameras with 10-bit HDR color in the viewfinder as well; the Nikon Z6 III, Canon EOS R1, and EOS R5 Mark II are among the handful that include richer color reproduction than typical viewfinders to date, and we expect more models to follow suit going forward.
The Fujifilm X-T5’s 0.8x EVF is large and sharp to the eye (Credit: Jim Fisher)
What Are Continuous Shooting and Autofocus Speed?
Interchangeable lens cameras have another big advantage over point-and-shoots—speed. The time it takes between hitting the shutter button and the camera capturing a picture (or shutter lag), as well as the wait time between taking photos, are often concerns with compact cameras. DSLR and mirrorless cameras generally focus very quickly and deliver shutter lag that is nearly immeasurable.
The Sony a9 IIII tracks subjects and fires off photos at a staggering 120fps (Credit: Jim Fisher)
The industry measures continuous shooting speeds in frames per second. Entry-level models typically offer around 5fps capture, but some affordable models boast capture rates up to 15fps with tracking or speeds as high as 30fps with focus locked after the first shot. That’s quick enough to satisfy the needs of photographers capturing sports, wildlife, and other types of intense action.
As frame rates increase, autofocus systems become more effective. Entry-level SLRs usually only have a few focus points, bunched up toward the center of the frame. This is due to the way SLR focus systems work. Light not only travels to the viewfinder but also to a discrete autofocus sensor. The sensor checks for focus at several points—ranging from around 10 for basic systems up to more than 150 for advanced cameras, which also spread points farther across the frame for wider focus coverage.
Mirrorless cameras are different. There isn’t a dedicated autofocus module; instead, the image sensor performs the focus operations. The tech has opened up new possibilities for object recognition, including better subject tracking (including for vehicles); automatic face and eye detection; and (for some systems) eye detection for pets, wildlife, and insects.
Not all systems are as effective, though. Some entry mirrorless cameras don’t have all the latest tech and rely on contrast focus for tracking. If you’re interested in photographing action, it’s wise to spend a little more on one with on-sensor phase detection.
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The Nikon Z 8 is our top-rated professional full-frame camera, it offers a rare mix of high resolution capture and high frame rate imaging (Credit: Jim Fisher)
At the very high end of the spectrum, cameras like the Nikon Z8 use stacked CMOS sensors, which are capable of ultra-high-speed focus and capture. They also offer an uninterrupted view of the scene during capture. You need to budget thousands for a camera with a Stacked CMOS chip today, but I expect the technology to trickle down to more affordable models in the future. At press time, the $2,400 OM-1 Mark II is the most affordable ILC with a fully Stacked CMOS imager, just beating out the Fuji X-H2S ($2,900). The Sony a9 III represents the high end of the market; it justifies its $6,800 price tag with a globally reading stacked sensor capable of supporting distortion-free, 1/80,000-second exposures and a 120fps continuous focus drive.
The Best Camera for Live View and 4K Video
The different focus systems also change the way cameras handle video recording. With an SLR, you need to press a button or tap a switch to switch from the optical viewfinder to the rear LCD, facilitating video capture. But with mirrorless cameras, the switch is seamless.
The Canon EOS R50 V is built for video and vlogs, it includes a healthy set of cinematic color profiles and has a better built-in microphone than you’ll find in most cameras (Credit: Jim Fisher)
SLRs typically use contrast focus for video capture, which means autofocus is a little slow and choppy for movies. Most Canon SLRs use the company’s proprietary Dual Pixel AF tech, a type of phase detection that splits each sensor pixel into two. This gives the camera the same smooth, fast focus when you record video as you get from a mirrorless camera.
Mirrorless cameras utilize the same focus system for both video and still images. There’s usually no need to change modes to switch from stills to video, and focus is just as quick and smooth regardless of whether you are capturing stills or moving images.
We’ve seen a recent surge in entries featuring high-quality in-camera microphones and designs specifically tailored for vloggers. Consider the Canon EOS R50 V, Sony ZV-E10, or Nikon Z 30 if you are looking for a kit that can deliver both quality video and audio without requiring additional gear.
There are other features to look for if you are serious about filmmaking. At a minimum, choose a model with a microphone input for improved audio quality. But you should also ensure a camera offers stabilization (either in-body or in-lens), 4K recording, 10-bit color, and a flat log profile.
The Best DSLR and Mirrorless Lenses and Accessories
Most first-time ILC users won’t purchase a whole bevy of lenses, but you should at least consider a few to supplement the kit lens that ships with the camera. The first is a telezoom to complement the standard starter lens. Most systems offer a starter lens with a 55-300mm, 70-300mm, or a similar telephoto option.
Add a telephoto lens, such as the Fujifilm Fujinon XF 70-300mm, to bring far-off subjects into closer view (Credit: Jim Fisher)
Another popular lens choice is a fast, normal-angle prime lens. Before zooms were popular, film SLRs often came with a 50mm f/2 lens. The rough equivalent is a 35mm prime on an APS-C sensor and a 25mm on Micro Four Thirds. The standard angle gives you a field of view that isn’t far off from that of your eye. Additionally, the fast aperture allows for shooting in low light and isolating your subject by blurring the background of your photos. Prices for these lenses vary slightly depending on your camera system, but you can expect them to range between $175 and $350.
The Godox V1 flash has a thoughtful design with a round head, rechargeable battery, and wireless capability—it’s available for all popular camera systems (Credit: Jim Fisher)
Although consumer DSLRs typically have built-in flashes, mirrorless cameras often do not include them. To compensate for this, some models are bundled with a small, clip-on flash in the box. But, as long as your camera has a standard hot accessory shoe, you can add a more powerful external flash. These flashes emit more light, and you can reposition them to best illuminate a subject. Bouncing flash off a ceiling to brighten a room is possible with a dedicated flash unit, but not with the ubiquitous pop-up flash. Depending on your power needs, recycle time, and movement, a dedicated flash can cost anywhere between $150 and $500.
Beyond DSLR and Mirrorless
Want speed and top-notch images but aren’t ready to haul a heavy camera and a bunch of lenses? You may spend just as much—or more—on a bridge camera or a compact camera. If you opt for a model with a Type 1 (also known as 1-inch class) or larger sensor, you can achieve image quality that is closer to that of an ILC than a smartphone.
If you do opt for an ILC, take time to research your purchase. You should also consider visiting the store to test how the camera feels in your hand, if convenient. Additionally, ensure that the lenses and accessories you are interested in are compatible with the camera you choose. Check out my guide on what to look for in a lens if you’re not sure where to start.
